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The Playwrights Forum > Markets & Marketing > Success Stories > Not Twice This Play

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 Posted: Fri Aug 1st, 2008 05:59 am
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Martin H
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{This is the introduction I wrote to accompany my play, Empty Bowl, now published online at Linnet's Wings http://www.thelinnetswings.net. Take a look any of you that care to, and if you like what you see and care to spread the word, I'd be very much appreciative. I'll be on holiday next week and almost completely online, but will be in touch again when I'm back.}

 

 

Not Twice This Play

 

 

Empty Bowl is rewritten, rethought and considerably expanded from a one act play I wrote in 1973, inch foot time gem, which for a one act play intended to run an hour had far too many irreducible flaws. Whole scenes intended to capture the enigmatic character of the Zen koan came out obscurantist and befuddling rather; those I excised. In Act III of Empty Bowl I re-used about two pages of Eshun's long speech from the earlier play, though most of Eshun's dialogue's original to this version. None of the other characters already featured--Nobunaga, Nobushige, Hakuin, Peasant in Blue Kimono (renamed Ainu in Empty Bowl)--spoke in their real voices yet, so their dialogue here is totally fresh. (I tell a lie. I did retain two lines from the earlier, much shorter version of the fairground shell game scene:

NOBUNAGA

It's better to die on your feet than to live on your knees.

AINU

I dunno. Six of one, half dozen of the other if you ask me.

Well, would you have cut that?)

The prologue, 'inch foot', and the epilogue, 'not twice this day', considerably reworked, still frame the action of Empty Bowl. Quite a few images I thought effective have been retained, such as Ainu, back from numerous campaigns, a one-eyed double amputee. Narrative threads originally independent of each other have been integrated into one continuous story line.

Wabi, Tamago, Minaki, Taka and various secondary characters are entirely new to this version. inch foot time gem was missing them.

It often takes a long time for the true form of a play to be disclosed, even to its author.

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